Aphotic Zone
16. 12. – 30. 12. 2022
Aphotic Zone

Aphotic Zone

Emilija Škarnulytė

PYLON is pleased to present the online screening of Aphotic Zone (2022) by Emilija Škarnulytė, starting on December 16, 2022.

Emilija Škarnulytė (*1987 in Vilnius, Lithuania) is an artist and filmmaker working between documentary and the imaginary. She creates films and immersive installations exploring deep time and invisible structures, from the cosmic and geologic to the ecological and political. Her blind grandmother gently touches the weathered statue of a Soviet dictator. Neutrino detectors and particular colliders measure the cosmos with otherworldly architecture. Post-human species swim through submarine tunnels above the Arctic Circle and crawl through tectonic fault lines in the Middle Eastern desert.

Winner of the 2019 Future Generation Art Prize, Škarnulytė represented Lithuania at the XXII Triennale di Milano and was included in the Baltic Pavilion at the 2018 Venice Biennale of Architecture. With solo exhibitions at Tate Modern (2021), Kunsthaus Pasquart (2021), Den Frie (2021), National Gallery of Art in Vilnius (2021), CAC (2015) and Kunstlerhaus Bethanien (2017), she has participated in group shows at Ballroom Marfa, Seoul Museum of Art, Kadist Foundation, and the First Riga Biennial. In 2022, Škarnulytė participated in the group exhibition Penumbra organized by Fondazione In Between Art Film on the occasion of the 59th Venice Biennale. Her numerous prizes include the Kino der Kunst Project Award, Munich (2017); Spare Bank Foundation DNB Artist Award (2017), and the National Lithuanian Art Prize for Young Artists (2016)), and she was nominated as the candidate for the Ars Fennica art award 2023. She received an undergraduate degree from the Brera Academy of Art in Milan and holds a masters from the Tromsø Academy of Contemporary Art.

Her films are in the IFA, Kadist Foundation and Centre Pompidou collections and have been screened at the Serpentine Gallery, UK, Centre Pompidou, France, and the Museum of Modern Art, New York and in numerous film festivals including in Rotterdam, Busan, and Oberhausen. Most recently she concluded her tenures at Art Explora and Cite des Art, which occurred on the heels of another significant residency at the MAK Center for Art and Architecture. She is a founder and currently co-directs Polar Film Lab, a collective for analogue film practice located in Tromsø, Norway and is a member of artist duo New Mineral Collective, recently commissioned for a new work by the First Toronto Biennial.

The online screening is part of PYLON-Lab's program COLLATERAL EXTINCTION, funded by Kulturstiftung des Freistaates Sachsen. Gefördert durch die Kulturstiftung des Freistaates Sachsen. Diese Maßnahme wird mitfinanziert durch Steuermittel auf der Grundlage des vom Sächsischen Landtag beschlossenen Haushaltes.

Aphotic Zone

With otherworldly poetry and the aid of scientists (from nuclear physicists to marine biologists), we dream through mythologies into worlds beyond human scale yet still affected by our presence. The new film Aphotic Zone dives 4 km deep into the Gulf of Mexico where marine scientists from Philiadelphia’s Temple University are endeavoring to find a super coral species that can thrive under the warming and acidification of the oceans caused by humans. With audio-mixing by Oscar-winning engineers Jaime Baksht and Michelle Couttolenc, the sound was recorded in August 2021 at the Aztec ruins at the heart of Mexico City on the 500th anniversary of the Fall of Tenochtitlan. The horrors of colonialism and the global ecological destruction caused by industrial pollution weave together into a subtle meditation on surviving the ravages of human greed.

Aphotic Zone has been commissioned and produced by Fondazione In Between Art Film for the exhibition Penumbra which took place during the 59th edition of the Venice Biennale (Complesso dell’Ospedaletto, Venice, 20.04 – 27.11.2022).


Aphotic Zone, 2022

4K digital video, color, 5.1 sound, 16’

Courtesy of the artist, Dr. Erik Cordes and the Schmidt Ocean Institute, and Fondazione In Between Art Film

Written and directed by: Emilija Škarnulytė

Commissioned and produced by: Fondazione In Between Art Film

Co-produced by: Emilija Škarnulytė / Mirror Matter Productions

Creative Producer: Leonardo Bigazzi

ROV: Dr. Erik Cordes and the Schmidt Ocean Institute

CGI: Gregory Blunt

Editor: Vytautas Tinteris

Colorist: Vytautas Tinteris

Composer: Jokūbas Čižikas

Sound design: Gerardo Artemio Islas Bulnes

Additional music: Emilija Škarnulytė, Vytautas Tinteris

Re-recording Mix: Jaime Baksht, Michelle Couttolenc

Post-production studio: Astro Studios Mexico

Mastering: Vytautas Tinteris

Title design: Vytautas Volbekas

Assistant: Viktorija Smailytė

Consultant: Barbara Casavecchia

Legal services: Martin Heller

Distribution: Mirror Matter Productions

Footage courtesy of: Dr. Erik Cordes and the Schmidt Ocean Institute

Featuring locations: The Pacific Seamounts of Costa Rica

Music: Deep Sea Dweller (2022) composed by Jokūbas Čižikas; Aphotia (2022), composed by Emilija Škarnulytė

Thanks to: Beatrice Bulgari, Alessandro Rabottini, Alessia Carlino, Bianca Stoppani, Paola Ugolini, Dr. Erik Cordes, The Schmidt

Ocean Institute, and The U.S. National Science Foundation